Ebb and the Great Gatsby Essay Example Essay Example

Ebb and the Great Gatsby Essay Example Paper Ebb and the Great Gatsby Essay Introduction Assessment two. Love, hope and morality are ongoing and developing universal concepts that have the ability to imprison or liberate individuals. The interpretation and perceived value of experience of these concepts is dependent on the values and events of the time. Without a greater knowledge of the past, present and wider world, we often accept the two dimensional thoughts and perspectives of the time we inhabit. We can only fully reveal the value of experiences by comparing their differences. ‘Sonnets from the Portuguese’ written by Elizabeth Barrett Browning are a series of Petrarchan sonnets conveying love hope and morality. Composed in 1845 to 1846 England and published in 1850, the contextual integrity of the sonnets reflect the traditional values of courtly love at the time but also societal change and the modernisation that the industrial revolution brought with it. This was the time of the Victorian era, a time of ongoing societal evolution. Published in 1925 A merican, F. Scott Fitzgerald’s novel ‘The Great Gatsby’ is set in 1922, a time period commonly referred to as the ‘the Roaring twenties’ or the ‘jazz age’. This period in American history reflects the extremities of both romanticism and materialism, as well as a time of prosperity and the classic ‘American dream’ due to the conclusion of world war one. Love, hope and morality are reflected through the naivety of the time. Although a time of great societal change, 1840’s England still held traditional values that are often associated with this period as being prudish, old fashioned and repressed. Elizabeth Barrett Browning pushed the boundaries of her time as it was previously unheard of that females would write about idealised love. Ebb and the Great Gatsby Essay Body Paragraphs With the increase of feminism Barrett Browning gained her popularity. The sonnets show her journey of accepting the love she has received. She states in sonnet thirteen â€Å"I cannot teach my hand to hold my spirits so far from myself—me– that I should bring the proof of love hid in me out of reach. † This is a rejection of conventional views of a women’s devotion to her lover. She refuses to put her love into words for the easing of his mind and chooses what will benefit herself. Previous to this quote a caesura is used to highlight its intensity and depth, it’s not that she desires not to fathom her feelings into words, it is that she cannot. She does not see her love as quantifiable. With Brownings support of feminism she rejects the traditional connotations of courtly love. This is conveyed through her sonnets as she hopes for a love deeper than the superficial partnerships based on mutual social class that surrounded her. Sonnet 14 reflects th is with the repetition of ‘love’. She does not want to be wooed, she wants to be loved â€Å"nought except for loves sake only. † The mocking and condescending tone used shows emerging feminism of the time, she will not be held victim to the power of a man. These views highlight the ongoing theme of hope throughout the sonnets. With the industrial revolution came a modernised view of wealth. Big money moved from farming into factories and the manufacturing of goods. Materialism was evolving. Sonnet 43 titled â€Å"How do I love thee? Let me count the ways.† shows the perfect love between Browning and her lover paradoxically living in an imperfect world. When in the earlier sonnets she could not fathom into words her feelings for her lover, browning rejoices in saying â€Å"I love thee to the depth and breadth and height my soul can reach. I love thee freely. purely. with a passion. † She almost personifies her love giving it three dimensions. The an aphora of ‘I love thee’ implies that her love is never ending and can be listed in an infinite number of ways. She supports this with the quote â€Å"I shall but love thee better after death. † She doesn’t love him for his wealth or material possessions; she loves him for loves sake. This is once again an example of how Elizabeth Barratt Browning challenges her society of the time as a gesture of morality; she rejects the views of the greater population that attraction should be towards money and possessions rather than the content of the individual’s character. While Elizabeth Barrett Browning continuously challenged the views and perspectives of her society, the characters portrayed in F. Scott Fitzgerald’s ‘The Great Gatsby’ are the defined to ridiculous extents by the world around them rather than who they are. Comparatively to the strive for feminist rights in the Victorian era, the 1920’s shows women as possessions; ‘trophy wives’. The American Dream of the time was the ‘self-made man’, a man who had built himself up to success and wealth, his life would be topped off with a beautiful wife and they would embrace their money together. Fitzgerald portrays Gatsby as the delineation of the American dream. He had everything; a beautiful house, stores of money and within his grasp was the beautiful Daisy Buchanan. Rather than loving Daisy for who she is, he loves the idea of her. He describes her voice as being â€Å"full of money†, what all Americans of the time wanted. Where Browning refused to believe that love was two dimensional, Fitzgerald describes his characters falling for the superficial nature of others rather than who they are. This is further defined through the way Tom Buchanan refers to his mistress as ‘my girl’, this generalised name symbolises affection but also implies that she is one of Toms many possessions. The differences between the se two texts reveal more than their vague similarities about their common content area of love. Romanticism was an intricate part of the American dream during the 1920’s. Fitzgerald describes over the top gestures of love throughout his novel and they are seen as ordinary. The romanticism, or idealised love, shown in the book indicates the acceptance of views at the time, a lack of morals in regards to marriage and an ongoing sense of hope in regards to desirable partners. The most obvious example of this is Gatsby’s ongoing quest to win Daisy over. He doesn’t care that she is married with a family; he has built his life on the basis of impressing her and will stop at nothing to do so. Conversely Tom also shows his love for Myrtle through his money; they have a retreat in New York together and he buys her a puppy. Romanticism for males was about impressing their female counterparts with their riches, for the females it was about accepting that they were there as an accessory, to look pretty. The quote â€Å"for a moment the last sunshine fell with a romantic affection upon her glowing face† represents the externalised values of romance as seen by Tom. Although he has a mistress he is still drawn to Daisies beauty. The characters quests for what they see as ‘idealised love’ throughout the novel presents an ongoing juxtaposition of hope and morality. Unlike Browning, they do not hope to be loved â€Å"naught but for loves sake. Similar to the industrial revolution, post WW1 America was a time that valued material possessions. Social structure was defined by who you were, where you came from and how much money you had on show. Browning describes a journey of unmeasurable love through her ‘Sonnets from the Portuguese’ where the purity of love prevails over all else. This reflects the composer’s views of morality. Contrastingly the immorality of superficial relationships in ‘The Great Gatsbyâ€℠¢ show just how accepting the characters are of the time they are living in. Where Browning challenges the views of her society, Daisy and Tom Buchannan do the opposite. After Daisy hits and kills Myrtle Wilson, Gatsby takes the fall for her with an extreme gesture of his devotion. Daisy shows just how grateful she is for this gesture by never talking to Gatsby again. No matter how immoral it may be, Daisy and Tom willingly let Gatsby take the fall without thinking twice, this symbolises just how much materialism has shaped who they are as individuals. The pair retreat into the safety of their riches rejecting all else; the love Gatsby has for Daisy, the crime she has committed and even the loss Tom feels for Myrtle. Where Browning measured her love as reaching the depths of her soul, Fitzgerald portrays love to be immorally measured by the size of your wallet. Through challenging the values, ideas and perspectives of her time, Browning’s experience of the basic human qualiti es love, hope and morality are highly enriching. The enrichment of these common themes is only revealed when the differences between Browning’s ‘Sonnets from the Portuguese’ and Fitzgeralds ‘The Great Gatsby’ are compared. These differences reveal that whereas some individuals are trapped by the time they are living in, others are liberated. 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Mixed Metaphor Definition and Examples

Mixed Metaphor Definition and Examples A mixed metaphor is a succession of incongruous or ludicrous comparisons. Also known- playfully- as a mixaphor. Although many style guides condemn the use of mixed metaphors, in practice most of the objectionable combinations (as in the examples below) are actually clichà ©s or dead metaphors. Examples An Apprentice contestant with a love of bizarre business lingo has left Twitter users in fits of laughter after describing a failed task as leaving a sour taste in the clients eye. Contestant Gary Poulton, from Birmingham, also said his team were dancing around the bush in last nights episode, which saw his stint as project manager for Versatile end in failure.(Phoebe Jackson-Edwards, Im Not Going to Dance Around the Bush: Apprentice Stars Bizarre Business Jargon Is Mocked on Twitter. Daily Mail   [UK], November 26, 2015)Well have a lot of new blood holding gavels in Washington.(Georgia Congressman Jack Kingston, quoted in the  Savannah Morning News, November 3, 2010)Thats awfully thin gruel for the right wing to hang their hats on.(MSNBC, September 3, 2009)Her saucer-eyes narrow to a gimlet stare and she lets Mr. Clarke have it with both barrels.(Anne McElvoy, London Evening Standard, September 9, 2009)I don’t think we should wait until the other shoe drops. History has a lready shown what is likely to happen. The ball has been down this court before and I can see already the light at the end of the tunnel.(Detroit News, quoted in The New Yorker, November 26, 2012) [Chairman of the Federal Reserve Ben] Bernanke set the standard for muddled metaphors when he parried reporters questions that day. Certain economic data, he said, are guideposts that tell you how were going to be shifting the mix of our tools as we try to land this ship on ain a smooth way onto the aircraft carrier.(Nick Summers, Lost in Translation. Bloomberg Businessweek, July 8-14, 2013)â€Å"I conclude that the city’s proposal to skim the frosting, pocket the cake, and avoid paying the fair, reasonable, and affordable value of the meal is a hound that will not hunt.(a labor arbitrator, quoted by the Boston Globe, May 8, 2010)Obviously, its been a very difficult two days for us, Nelson said. We kind of saw the writing on the wall Friday night. Its just apples versus oranges, and its not a level playing field by any means.(Seabury’s Football Team Done for the Season. Lawrence Journal-World, September 22, 2009)The year began with quarterback Tom Brady tarred, then un chained from a suspension on the heels of cheating allegations in the scandal known as Deflategate.(Associated Press, Deflating Ending Sends Patriots Into Offseason. Savannah Morning News, January 26, 2016) Nigel said (using, to my mind, an excessive amount of metaphor), Youve taken a rare orchid and shut her away in a dark outhouse. You havent nourished her or paid her enough attention. Is it any wonder that her roots are struggling to survive? Daisy is a trapped bird whose wings have been broken, she is a  Fabergà © egg that you have boiled for four minutes and eaten for your breakfast.I stopped him just as he was embarking on a new metaphor to do with Daisy being a submerged volcano.(Sue Townsend,  Adrian Mole: The Prostrate Years. Penguin, 2010)The committee was tired of stoking public outrage with fortnightly gobbets of scandal. It decided to publish everything it had left, warts and all. Now everyone is tarred with the same ugly brush, and the myth that forever simmers in the public consciousnessthat the House shelters 435 parasitic, fat-cat deadbeatshas received another shot of adrenalin.(Washington Post, 1992)I knew enough to realize that the alligators were in the swamp an d that it was time to circle the wagons.(attributed to Rush Limbaugh) A lot of success early in life can be a real liability- if you buy into it. Brass rings keep getting suspended higher and higher as you grow older. And when you grab them, they have a way of turning into dust in your hands. Psychologists...have all kinds of words for this, but the women I know seem to experience it as living life with a gun pointed to their heads. Every day brings a new minefield of incipient failure: the too-tight pants, the peeling wallpaper, the unbrilliant career.(Judith Warner, The New York Times, April 6, 2007)There is no man so low that he has in him no spark of manhood, which, if watered by the milk of human kindness, will not burst into flames.(quoted by Willard R. Espy in The Game of Words. Grosset Dunlap, 1972)Sir, I smell a rat; I see him forming in the air and darkening the sky; but Ill nip him in the bud.(attributed to Sir Boyle Roche, 1736-1807) Observations I am tempted to believe that the indiscriminate condemnation of mixed metaphors arises more often from pedantry than from common sense.(Edward Everett Hale, Jr. Constructive Rhetoric, 1896)[T]o the fertile mind that thinks up a series of comparisons one gives admirationand defense against those who misunderstand the ban on mixed metaphors.(Wilson Follett and Erik Wensberg, Modern American Usage, rev. ed. Macmillan, 1998)What is called mixed metaphor...is the coming into consciousness of a mixing that goes on all the time, a consciousness that offends our sensibilities because it calls attention to the device and perhaps might reveal the inexplicable bases of our worldview.(Dale Pesman, Some Expectations of Coherence in Culture Implied by the Prohibition of Mixed Metaphor. Beyond Metaphor: The Theory of Tropes in Anthropology. Stanford University Press, 1991)Mixed metaphors may be stylistically objectionable, but I cannot see that they are necessarily logically incoherent. Of course, most metaphors do occur in contexts of expressions used literally. It would be very hard to understand them if they did not. But it is not a logical necessity that every metaphorical use of an expression occurs surrounded by literal occurrences of other expressions and, indeed, many famous examples of metaphor are not.(Mark Johnson, Philosophical Perspectives on Metaphor. University of Minnesota Press, 1981) The Lighter Side of Mixed Metaphors Grace Adler:  You cant control your competitive nature any more than I can.Will Truman:  That is...Grace Adler:  Yes, you just like to play the cool Will Truman while Im all the intense crazy one. Well, once the bowling shoe is on the other foot, look whos the good cop and look whos the bad cop.Will Truman:  That is the worst  mixed metaphor  you have ever uttered.(Debra Messing and Eric McCormack, Alley Cats.  Will and Grace, 1999)